CBE Book Group
A finely tuned collection by writer's writer Pearlman combines the best of previous collections (How to Fall; etc.) with austere, polished new work. Pearlman's characters for the most part are stiff-upper-lipped Northeasterners who take what comes and don't grumble: in "The Noncombatant," Richard, a 49-year-old doctor suffering gravely from cancer during the tail end of WWII, rages quietly in his small Cape Cod town as celebrations erupt and memories of the wasted lives of the dead are swept away. A fictional Godolphin, Mass., is the setting for many of the stories, such as "Rules," in which the well-meaning staff at a soup kitchen try not to pry into the lives of the "cheats and crazies,drunks and dealers" who frequent the place. "Hanging Fire" is a perfectly crafted story about a 21-year-old college graduate, Nancy, on the cusp of embarking on life and certain only of her obligation to herself. The tale of retired gastroenterologist Cornelia Fitch in "Self-Reliance"reads like the fulfillment of Nancy's own self-determined trajectory: after a successful career, she determines how she wants to leave this life: with dignity and a wink. This should win new converts for Pearlman.
Acclaimed translator Hillel Halkin offers the first English translation of a classic of Yiddish literature,considered one of the great comic novels of the twentieth century.TheZelmenyaners describes the travails of a Jewish family in Minsk that is torn asunder by the new Soviet reality. Four generations are depicted in riveting and often uproarious detail as they face the profound changes brought on by the demands of the Soviet regime and its collectivist, radical secularism.
Giorgio Bassani’s acclaimed novel of unrequited love and the plight of the Italian Jews on the brink of World War II has become a classic of modern Italian literature. Made into an Academy Award—winning film in1970, The Garden of the Finzi—Continis is a richly evocative and nostalgic depiction of prewar Italy. The narrator, a young middle-class Jew in the Italian city of Ferrara, has long been fascinated from afar by the Finzi-Continis, a wealthy and aristocratic Jewish family, and especially by their daughter Micol. But it is not until 1938 that he is invited behind the walls of their lavish estate, as local Jews begin to gather there to avoid the racial laws of the Fascists, and the garden of the Finzi-Continis becomes an idyllic sanctuary in an increasingly brutal world. Years after the war, the narrator returns in memory to his doomed relationship with the lovely Micol, and to the predicament that faced all the Ferrarese Jews, in this unforgettably wrenching portrait of a community about to be destroyed by the world outside the garden walls.
“Slyly comic…Touching and beautifully written.” (Charles McGrath New York Times) “[Aciman's] best so far…. An existentialist adventure worthy of Kerouac.” (Clancy Martin - New York Times Book Review ) A powerful tale of love, friendship, and becoming American in late ’70s Cambridge from the best-selling novelist. André Aciman has been hailed as "the most exciting new fiction writer of the twenty-first century" (New York magazine), a "brilliant chronicler of the disconnect…between who we are and who we wish we might have been" (Wall Street Journal), and a writer of "fiction at its most supremely interesting" (Colm Tóibín). Now, with his third and most ambitious novel, Aciman delivers an elegant and powerful tale of the wages of assimilation—a moving story of an immigrant’s remembered youth and the nearly forgotten costs and sacrifices of becoming an American. It’s the fall of 1977, and amid the lovely, leafy streets of Cambridge a young Harvard graduate student, a Jew from Egypt, longs more than anything to become an assimilated American and a professor of literature. He spends his days in a pleasant blur of seventeenth-century fiction, but when he meets a brash, charismatic Arab cabdriver in a Harvard Square café, everything changes. Nicknamed Kalashnikov—Kalaj for short—for his machine-gun vitriol, the cab driver roars into the student’s life with his denunciations of the American obsession with "all things jumbo andersatz"—Twinkies, monster television sets, all-you-can-eat buffets—and his outrageous declarations on love and the art of seduction. The student finds it hard to resist his new friend’s magnetism, and before long he begins to neglect his studies and live a double life: one in the rarified world of Harvard, the other as an exile with Kalaj on the streets of Cambridge. Together they carouse the bars and cafés around Harvard Square, trade intimate accounts of their love affairs, argue about the American dream, and skinny-dip in Walden Pond. But as final exams loom and Kalaj has his license revoked and is threatened with deportation, the student faces the decision of his life: whether to cling to his dream of New World assimilation or risk it all to defend his Old World friend. Harvard Square is a sexually charged and deeply American novel of identity and aspiration at odds.It is also an unforgettable, moving portrait of an unlikely friendship from one of the finest stylists of our time.
Please contact firstname.lastname@example.org for additional information